(Based on leavingcertenglish.net by E. O’Connor – ideas used with permission)
There are three main aspects to consider when approaching the GVV of texts.
The writer’s/playwright’s/director’s view of the world and the human beings who live in it:
- if their stories always have a happy ending
- if the characters triumph over adversity
- if true love conquers all
- if good is rewarded and evil punished
Then the vision of the world they offer is positive and their viewpoint is optimistic.
Very few texts will be this straightforward however. Often bad things happen to good people in texts and the vision never stays the same the whole way through.
This is something the writer cannot control – the way the reader/viewer responds to the vision they have created.
For example, a reader/viewer may not like romantic comedies. He may think they are formulaic, predictable, simplistic and sickly sweet. So even though the person who created it might want the reader to respond positively to the vision they are offering, the reader probably won’t.
HOW the vision is communicated & HOW the mood and atmosphere is created: done through:
- close-ups of facial expressions, camera angles
- music, symbolism, imagery
- flashbacks (to create nostalgia or to add back-story)
- the hopes and dreams of the characters
- the relationships between characters & how they treat each other
- the success or failure of a character
- the way the society is presented to us in a positive or negative light
- the opening, closing scenes
- the value placed on human life
- a positive or negative vision of daily life
- the moral vision presented in the text
- the darkest/most uplifting moment in the text
The g v & v changes during the course of any text. One exercise with a class could be to draw up a graph (As done by Ms E. O’Connor here.) The vertical axis went from tragic at the bottom to blissfully happy at the top. The horizontal axis went from the beginning (on the left) to the end (on the right) of the text. Then pick eight key moments and plot them on the graph. This gives a clearer sense of how the g v & v changed, ebbed and flowed over the course of the text from beginning to end. However it is a little simplistic – you need to offer a more complex discussion than “happy/sad” (nostalgia, longing, frustration, injustice, tragedy, triumph, humour are all more specific words). AND you need to think about whether the author offers you a positive, warm and uplifting view of human beings or a deeply pessimistic indictment of human beings’ flaws and foibles. Think about the writer/director’s vision of the society the characters inhabit. What decisions has the writer/director made as to how the text begins and ends. Does the story begin and end at the same point (as in Babylon)? Have the characters achieved anything in the intervening period? Is the text a gradual journey towards enlightenment and self-fulfilment? Or does everything end badly, despite the characters best efforts to achieve happiness?
Because the concept is quite multi-faceted, try to simplify your overall essay structure.
- Compare the beginning g v & v of each text.
- Use 4 or 5 points from aspect three to form 4 or 5 main paragraphs for comparing the texts
- Finally compare the g v & v of the endings.
And of course the most important thing is to tie them together just like a stripy jumper would be knitted. (One jumper represents one paragraph – this analogy is thanks to Ms E. O’Connor. More on that can be found here.)